Click here to see the SF Weekly slideshow of the 1st Annual Bed Race
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Herbie Hatman, a sideshow artist with Velocity Circus, offers live, edible worms to guests at Teatro Zinzanni during New Leaf's Spring Gala.
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Herbie Hatman with worms |
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Hostess Jillian Manus Salzman (in vintage Chanel) plays with the help at her cancer benefit, Not shown; the ice replica of Michelangelo's David, complete with oversized penis.
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Jillian Manus Salzman with David |
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by Lindsey Westbrook
CLICK HERE FOR FULL ARTICLE (PDF)
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Gregangelo Herrera, Performance as an Illuminated Soul Seeker, 2006 |
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by Marianne Costantinou |
Gregangelo playing in the “Orange Room” Opening a kitchen cabinet painting Gregangelo in front of ‘‘Velocity Circus” painting by his long term artist, Alison Johnson |
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by Paul Totah Other rooms depict different times of day. His breakfast room is done in dawn themes, and one bedroom, with its green walls and sun mural, depicts the green flash of sunset. The real magic starts upstairs, past a secret entryway and through a “spinning vortex,” where each triangular room holds the works of a variety of artists, set designers and costumers, each of whom work for Gregangelo’s company. Several national
networks have already featured his house, including the Discovery
Channel, Bravo and HGTV. “I’ve had people from Brazil
tell me they saw my house on TV there,” said Gregangelo.
His house is a regular tour-stop for the San Francisco Convention
and Visitors Bureau, which will send journalists and travel writers
to Herrera’s home to give them a taste of the city. Gregangelo grew up in that home and eventually
bought it from his mother, “who made me pay full market price,” he
noted Herrera began his career in show business while a student at SI, acting in plays, working in stage crew and performing after school with the Aswan Dancers, — a Mediterranean troupe. Herrera — who describes himself as half Mexican, half Lebanese and all San Franciscan — learned that the group needed Whirling Dervishes. “I was still young enough that I was whirling for fun, so I agreed to learn.” Over the years, he turned his art into a four-and-a-half minute act, which he has performed in the US, Canada, the Caribbean and India. Because of his success, both financially and artistically, other performers asked him to help them make the plunge to become full time professionals. Herrera found himself helping so many performers that “I had a business before I knew I had one,” he says. “I have a burning desire to help other artists make a viable living.” His
Velocity Circus, which also employs costumers, riggers, singers,
dancers and technicians, now performs 250 shows a year. Herrera
tries to make each performance different, tailored to the needs
of his clients. Herrera makes it clear that he loves to entertain
people; he also enjoys teaching through his Whirling Dervish dance. Herrera’s act tells the story of the creation of the universe, from the birth of galaxies to the creation of the first man and woman. Like all the acts in Velocity Circus, it’s meant to be a joyful spectacle for the audience as well as a mystical event for the artist. Herrera, who is performing in tonight’s Teatro Sant’ Ignazio fashion show, will be joined by two of his Velocity Circus acts, including the Mystic Pixies — a troupe of young contortionists on their way to an new Cirque du Soleil production in Montreal — and a talented singer. When
his acts aren’t performing, he has them create art around
his house, “The Gregangelo Museum,” which has become
a local attraction. These artists work on new designs for each
room and on props and costumes for his new shows. During the
interview, one of his performers, Darkhia, could be heard hammering
copper for a costume. One of two Mongolian “hand-dancers,” Darkhia
is one of the stars of the Velocity Circus. “Her movement
is ethereal, almost The result makes both for great shows and for a home like none other. “We all work to produce this house the same way we produce a show, with each room an act and a surprise,” adds Herrera. “You never know what spectacle the next room will bring.” Youth and artists tour groups are welcomed to view his home and art for a fee, all of which goes to support Children United by Experience International, a non-profit he cofounded with his partner, Jeffrey Ferns, and his sister, Cathy Kelly. CUE provides art programming, mentors and advocacy for at-risk youth and a performing platform for young emerging artists. Gregangelo
surrounds himself with extraordinary artists and acknowledges
his success is inspired by those around him, He |
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GREGANGELO'S 1906 SHOW AT THEATRE 39 By Jamie Windborne, Arts Extra! editor Arts Extra! attended Gregangelo and Velocity Circus' new stage show, 1906: Journey Through the Mythical City, at Theatre 39 on June 24. With music, lyrics and comedy sketches composed by Rita Abrams, the musical and circus arts show touched an audience that was itself a hybrid of out-of-towners, local theater enthusiasts, and Velocity Circus fans. Early in the show, the legendary 1906 earthquake interrupts a choreographic climax of festive dances, including Native American ceremonial dance, Flamenco Spanish dance, Russian ballet, saloon-styled can-can dancing, Japanese acrobatics and others. The culmination of multiethnic performances colorfully illustrates how San Francisco was settled, embraced and shared by so many different cultures. But the show is only beginning with the rumble of the earthquake and the rising of a phoenix-like creature out of the rubble and ashes. Alas, comfort is found in Miss Golden Gate Bridge, played by Bettina Devin, who sings, “When you come to San Francisco, you come home.”
Left: La Luna greets theatre patrons at the door with her great lime-green moth wings. Right: Bettina Devin as Miss Golden Gate Bridge in Gregangelo and Velocity Circus' new stage show, 1906: Journey Through the Mythical City. Photos by Jamie Windborne. The show is comprised of articulate choreography, costumes that are functional works of art themselves, and stage performances that range from humorous gags to musical celebration to inspiring acrobratics. And according to Gregangelo, the show is as phenomenal on stage as it is behind stage. "It's like a three-dimensional circus on a quarter ring stage," said 1906 producer and artistic director Gregangelo Herrera, an internationally known artistic director, performer, choreographer, and costume designer. It's the smallest stage we've ever performed on, and the behind stage action, in terms of space, is like a labyrinth of ants." La Luna greeted theatre patrons at the door with her great lime-green moth wings, but her role was just as instrumental behind stage, helping and hurrying performers into their costumes, some of which she designed. "We're all dressing each other back stage," said La Luna, aka Loree Lee, who does not like to be mistaken for a butterfly. Everybody is so generous — stopping and helping each other. The performers are literally jumping into their costumes to make their cues." Gregangelo himself performs in the show as the whirling dervish, spinning several removable skirt-like capes against the kaleidoscope backdrop of a video projection. "It's hard describing it all," he said. "It's a great experience, and people have to experience it themselves to see it all." Proceeds from the show benefit Children United by Experience, a Bay Area non-profit founded by Gregangelo and Velocity Arts & Entertainment. 1906: Journey Through the Mythical City runs through August 26 At Theatre 39, Pier 39. Matinees only at 1pm and 3pm. Thursdays and Fridays. 1pm. Saturdays. Visit gregangelo.com for more information. |
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FANTASTIC
JOURNEY The
stage is bathed in black light when the DayGlo butterfly flutters
across the stage in dance shoes. A black velvet bag crawls across
the boards, with more neon shapes emerging from the negative chrysalis. They run “Utopia” from
the top. The aerialist girls crawl out of their bags, emerging into
the black light. The Transamerica buildings strut on stage. The “water” flows
in ribbons. The angel flexes her wings. |
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By Christopher Caen
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ARTOBERFEST A SMASH HIT
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American India Foundation
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> > CLICK HERE TO VIEW VIDEO < <
> >To download video to your |
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Dervish performer puts new spin |
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Daredevil Performers Bring Some people really do run off and join the circus—or at least start one. The group appears daily through August 9 as part of the Sonoma County Fair’s “On With the Show” program of circus-themed acts. “We’re doing a half-hour of what I call a “cyber circus,” which is an act-to-act variety-style show threaded together by a narrating master of ceremonies,” says Herrera, 32, who will appear with seven other circus acts at the fair. “There will be an acrobatic fire-eater, a male contortionist, which is sort of unusual, physical comedians or clowns who do interactive stuff with the audience, as well as a young illusionist who combines magic with circus arts. Also, I will be doing an aerial act with my partner.” “One-ring, European-style, all-human, no-animal circuses are the major trend right now,” he says. “We take it a little further. We can bring our act anywhere without the giant production and tremendous expenses, so we can save our clients a lot of money.” Learning the Art “I started in the ethnic dance world,” he recalls. “My main act was a whirling dervish act, which I started in high school when part of a Mediterranean dance group.” Herrera’s act caught on, and soon he was performing it in clubs. These days, Herrera teaches at the school, where he trained for five years before becoming a professional aerialist. His intense rehearsal and workout regimen absorbs most of his week. “It requires lots of strength and concentration—and, we hope, a little bit of grace and artistry,” he says. “We’ll be working with ropes. We climb them, we wrap ourselves into various knots, we do free falls and catch ourselves and hang in every which way you can imagine.” Creating a bond between the members of Gregangelo’s Velocity Circus Troupe is crucial not only to their success, but also to their safety. Making that profession profitable is possible, Herrera says, “if you know how to sell it, promote it and keep up with it.” Jane Engdahl, special events coordinator for the Sonoma County Fair, says Gregangelo’s Velocity Circus presents a different kind of entertainment than in years past. “This is not traditional fair entertainment,” Engdahl said. “This is nice—a little more like theater.” Change of Pace for Fair “We walk a fine line,” Engdahl said. “We have a lot of the traditional elements of a county fair, but we also try to appeal to people who like modern entertainment. This troupe has it all.” This is the first time it will perform at the Sonoma County Fair. The high-flying group’s earth-bound gigs include corporate affairs and arts fairs. “Ours is definitely a modern circus,” he says. “A lot of our artists have worked with larger, traditional companies, but we’re trying to create a whole new concept, where we’re available to bring a show anywhere, whereas a touring circus can’t really do that.”
AERIAL ACROBATS: Zeina Asfour, or “Momenta,” (left) performs with Gregangelo Herrera, or “Vortex,” the leader of the troupe. |
Mill Valley Business
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On Friday, November 5 at 8:00pm and Sunday, November 7 at 5:00pm, the 142 Throckmorton Theatre will present Gregangelo’s Velocity Circus in “Life IS a Circus,” a brand new cirque-style performance. The November 6 date is a benefit for CUE, an organization affiliated with Velocity Circus. Part musical theatre, part theatrical circus, the show features dazzling spectacle acts interlaced with the comic songs and sketches of Emmy-Award winning composer Rita Abrams. Gregangelo & Velocity Circus was founded in 1997 as a means of providing hi-impact spectacle acts and shows to audiences worldwide. The company fuses Ethnic Dance, Jazz, Ballet, Circus Arts and Museum quality costumes into an entertainment extravaganza. Previous shows have been hailed by critics as “Phenomenal…dramatic!” [LA Times]; “Simply brilliant…not just an act, but an aesthetic…” [The Times of India]; “Thoroughly modern entertainment,” [San Francisco Examiner]. Tickets are $20 General Admission/$15 Students and Seniors and available through the 142 Throckmorton Theatre box office at 415-383-9600 or online at www.142ThrockmortonTheatre.com
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Spring Looks Star in Stunt-filled Shows Fashionably dressed performers go aerial at Ala Moana Fashion shows staged in different parts of the mall? No. Performers will be draped in bright colors and fashionable garments while performing stunts 35 feet in the air. There will be no professional models at this signature fashion event, staged tonight through Saturday, save for Tina Kasuya, who will be working strictly behind the scenes, offering tips on wardrobe and styling. The performers and musicians, dressed in retailers’ key looks for spring and summer, will be visible from all three levels of the mall. Enter the high-flying Velocity Circus from San Francisco, featuring former Cirque du Soleil members. “Most of the performances are created elsewhere and brought to Hawaii, but we created this one from scratch,” Meander said. As Meander puts it, he and Bostock “aren’t fashion guys,” but they do know how to put on a good show. “Every show has its challenge, and this show allowed us to use our creativity.” This isn’t the first time Velocity Circus has been involved in fashion shows or product launches, but Ala Moana might be the first outdoor airspace they will be performing in. “One of the great aspects of the Velocity Circus is that they can adapt to any theme or venue,” Bostock said in a news release.“The company has the ability to fuse together elements from ancient, contemporary and futuristic world cultures, dance, circus arts, visual arts, science, astronomy and more.” As for the other ideas proffered for the show, that might have to wait until another time, Meander said with a laugh. “We might still use those ideas.”
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e-mail Gregangelo at velocitysf@gregangelo.com |